One year after commencing his studies at the Béla Bartók Conservatory in 2008 as a student of Mária Fekete, Zoltan became the first singer ever to win admittance to the Ferenc Liszt Academy of Music’s special programme for young talents, where he studied under Éva Marton.

After graduating from the conservatory, he spent a year in The Hague at the Royal Conservatory, where his teacher was Gerda van Zelm. In 2014, he returned to continue his studies at the Liszt Academy, studying with Júlia Pászthy. Zoltan made his debut with the Hungarian State Opera in 2015 in the role of Blindleech in Zsófia Tallér’s opera, Leander and Linseed, as the youngest soloist of the Operahouse. The next season there, he sang his first title role, Orfeo (C. W. Gluck), at the age of 23. In 2018 he was invited to perform in the prestigious Grote Zangers Series in The Netherlands, where he gave a solo concert in the Muziekgebouw aan ’t IJ the same evening with Angelika Kirschlager and James Sherlock. From 2019 he spent a study year in the Sibelius Academy of Helsinki, where he specialized in Sibelius songs. In 2021 he sang the title role of Akhnaten in Philip Glass’s opera in the well received production of the Aleksanterin teatteri (Helsinki).

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General Management : Little Tribeca, agence@littletribeca.com
USA: Cherny Concert & Artist Management Ltd., natasha@CCAML.com

With a voice as clear as a mountain stream, Darago sang Russian, Hungarian and French songs, with considerable control and nuance.”

Place de l’Opéra, 2018

“The title role is exquisitely performed by the young Zoltan Darago with a uniquely beautiful voice and a suitably dashing appereance”

Jan Granberg, Hufvudstatsbladet, 2021

Discography

Programmes 2026-2027

Chansons hongroises et scandinaves

Zoltán Kodály: Istenem, istenem; Láttad-e te babám; Fekete főd; Által mennék
Béla Bartók: Ha kimegyek arra magos tetőre; Magos kősziklának; Akkor szép az erdő; Rossz feleség

Gustaf Hägg: Tusen tankar; Näckens polska; Ack, Värmland
Jean Sibelius: Demanten på marssnön; Säv, säv susa; Illalle; Soluppgång; Flickan kom ifrån sin älsklings möte

Ionah Maiatsky piano

A Night in London

Avec Pulcinella

Charles Avison (1709-1770)

Concerto Grosso after Scarlatti, opus 6 (3’)

Georg Friedrich Haendel (1685-1759)

Aria « Cara Sposa », from Rinaldo (4’)

James Oswald (1711-1769)

The Murrays march and other Scottish tunes

Francesco Geminiani (1687-1762)

« The night her silent sable wore »

Johann Adolf Hasse (1699-1783)

Adagio and fugue in G minor

Aria « Pallido il sole », from Artaserse (4’)

Georg Friedrich Haendel (1685-1759)

Serse, HWV40, Act 3 : Sinfonia (4’)

Aria « Kind Heav’n », from Theodora (7’30’’)

Giovanni Battista Cirri (1724-1808)

Cello concerto n°2 in G major, op. 14 (15’)

PAUSE

Georg Friedrich Haendel (1685-1759)

Serse, HW 40, act 3 : Overture

Aria « Dull delay », from Jephta (3’20’’)

Aria « Up the dreadful steep ascdending », from Jephta (3’50’’)

Francesco Geminiani (1687-1762)

Concerto Grosso in D minor, H.143 « La Folia » (10’)

Antonio Vivaldi (1678-1741)

Aria « Sovvente il sole », from Andromeda liberata

Georg Friedrich Haendel (1685-1759)

Aria « Where’er you walk », from Semele (5’)

Concerts